“Are we still in Berlin?” My wide-eyed, black-clad friend, Neuköllner to the bone, certainly feels out of place on Am Iderfenngraben. On her face, I read: What is this land that the M1 tram drops people off at, where cashiers speak German and only German, Altbauten lack a fifth floor, and stickers on lamp posts
Taurus (April 20—May 20): Another year older, and yet still so much left to learn. Maybe you’d pick up a little more knowledge if you paused, took a deep breath and—wow, look at that! Someone besides you is talking. Let it happen a few times, just for fun. April Fool’s Prank: A day of silence.
I was enjoying a cup of espresso macchiato with conference-provided sandwiches next to the Danube river while you, my fellow schoolmates, were being crushed under the heavy burden of midterms. Before you start feeling jealous of my one-week privilege, let me clarify two things: The conference was busy enough that we were not able to
In the madness of midterm essay-writing at the end of March, we — Elena Müller (BA 2021), Hanna Bargheer (BA 2020) and Rebecca Singer (BA 2021) — attended the Bard Network Debate Conference and participated in the Smolny Open Debate Tournament in St. Petersburg, Russia. Sponsored by Bard Annandale’s Debate Union, each of the participating
On Wednesday, March 14th, the European Humanities University (EHU) visited Bard College Berlin to partake in a round table with the finalists of an essay contest that EHU hosted, discussing “methods of (self-)education in the arts.” Around the table, the students of EHU revealed the topics of their award-winning essays, such as expressionism and the
Aries (March 21—April 19): It’s your time to shine, Aries, although I don’t see how that’s different from any other month. Maybe you should do everyone a favor and be a little less . . . yourself this month. Lucky numbers: the low value, quiet ones Taurus (April 20—May 20): You’re naturally stubborn in your
A few weeks ago, a friend of mine and I were at a café pretending to do work when he read me the following passage from Annie Ernaux’s “The Years” [*1], a memoir that aims to capture collective experiences, that I have not been able to get out of my head since:
On Thursday, March 8th, the Emancipe Initiative’s interactive puppet play, “The Puppet Show: An Inquiry”, premiered on campus in the Factory gallery space. This initiative, pioneered by first-year EPST student Danny Dubner, and co-lead by academic year student Sara De Monchy, was an opportunity for members of Bard College Berlin to experience non-formal educational practices