The Impossible Order – Panel VII: Crafting New Narratives

Organized by the Centre for Contemporary History Potsdam in co-operation with numerous esteemed institutions including our very own Bard College Berlin, the three-day conference titled The Impossible Order: Europe, Power, and the Search for a New Migration Regime brought together researchers, artists, historians, academics activists, journalists and students from all over the globe to reflect,

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A Discussion On Black Aesthetics and Advice for Prospective Curators: A Master Class with Kerry James Marshall

Our class, Curatorial Practice: Past and Present, filed into the American Academy — a mansion buried deep in the affluent Berlin neighborhood of Wannsee — on a beautiful sunny day. Any sense of intimidation we could have felt at the very formal invitation we received to the American Academy’s event, “The End Of Criticality”, a

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[Kulturbahn #41] May 8th – May 14th

► Monday: Between Spaces – Art, Urbanism & Public Space Space only ever exists with a context, charged with socio-political and socio-economic interests, shaped by power structures and defined by boundaries. The 15 artists featured in this exhibition explore issues in urban life from 1970s New York to 1980s East Berlin through the mediums of

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An Ode to Biking

When I was little, I didn’t like biking. I had a long string of second hand bikes, none of which ever seemed to work quite right — a complaint that had some merit but also one I used as an excuse to explain my otherwise irrational dislike of the activity. When I left home for

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[Kulturbahn #38] April 17th – April 23rd

► Monday: Black German Cinema: “Sankofa – Return and get it” Jump right back into Berlin’s cultural scene by attending the film series In-between Performative Films, which focuses on artists trying to break away from patriarchal and national production contexts. This month’s movie premier follows artists and curators from Ghana. It raises various questions: Does the

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