Die Bärliner - The Bard College Berlin Student Blog
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Tag "Hana Khalaf"
on the Bard College Berlin Student Blog

► Monday: Black German Cinema: “Sankofa – Return and get it”

Jump right back into Berlin’s cultural scene by attending the film series In-between Performative Films, which focuses on artists trying to break away from patriarchal and national production contexts. This month’s movie premier follows artists and curators from Ghana. It raises various questions: Does the artist imitate art, or is it the art that reflects the artist? How can Ghanaian artists convey their history and heritage in art that is distanced from home? There will be a discussion with the director Maman Salissou Oumarou after the screening.

  • When: 20:00
  • Where: Naunynstr. 27, 10997
  • Admission: 3
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On the beach in Alexandria, Egypt (Credit: Farah Khalaf)

On the beach in Alexandria, Egypt (Credit: Farah Khalaf)

Watching the sun’s last rays glisten on the waves of the Mediterranean as its burning flame anticipates being quenched by the Sea’s cool water, I listen to Yasmine Hamdan’s raspy Lebanese dialect as she sings of Sehnsucht and heartache (watch video here) . Whether it’s a blessing or a curse, these are things I have long since experienced.

As the tip of a bottle teases my lips and the icy drink fools around with my tongue and taste buds, I catch myself subconsciously trying to translate the song’s words and expressions into a language he would understand. Maybe I’ll have him listen to it one day. But its artistic and musical value wouldn’t be enough: he would want to understand the driving force behind the creation of this beauty.

The translation was a simple matter of finding the correct vocabulary, but that wasn’t what I was listening for. The soul of the song dimmed with the setting of the sun. The more I tried to find ways to convey it in his tongue, the more the song’s flame and passion became frail and shadow-like, until eventually the melody seemed only a ghost of what it was before I tried to capture it.

The song was lost and I brushed it off. Suddenly, I missed how he makes me feel like the goddess of that glistening golden sun embracing the Mediterranean. I remember this lurking uneasiness I had in the back of my head. A fear of loss. Loss of oneself, loss of language and identity in the process of merging cultures. But I’m starting to see now the malleability of one’s identity and how it’s constantly simply getting richer with the fusion of others’; it is all-consuming, like a sponge, or like the sea.

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► Monday: Gritty Glamour – a Queer Intervention 

This performance not only teleports the audience to Berlin’s nightlife and queer scene, but it also sheds light on the personal stories of queer and drag artists, who constantly negotiate their identity and explore their boundaries. The artists represent a wide range of Berlin’s nightlife figures, from electro queens to punk feminists and drag chanson. They share their perspectives on and understanding of community, sex, love, diaspora, family and their personal as well as stage identity. Moreover, the performance raises the issue of racism in the queer scene against the invisibility of queer post-migrant bodies.

  • When: 20:00
  • Where: Naunynstr. 27, 10997
  • Admission: 8
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► Monday: Fighting the Far-Right Surge – Women’s Rights Now!

Although far-right politicians persistently violate and attack women’s rights, a new wave of feminism that takes an intersectional approach is growing internationally. The fight has been undertaken against female rights violations and conflicts of all types – from autonomy to reproductive rights, the wage gap, freedom of movement, classism and racism. Join The Coalition’s panel talk as feminist activists from Ireland, Poland, Hungary and Germany discuss the struggles currently ongoing in their countries as well as the experience of women of colour in Europe.

  • When: 18:30 – 20:00
  • Where: Köpenicker Str. 30, 10179
  • Admission: free
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► Monday: Populism, Politics & Propaganda 

This debate and panel talk questions the role of media and press in today’s rise of right-wing populism. On the one hand, the trend of “fake news” or alternative facts undermines the reliability of the media, especially in Trump’s America. On the other hand, journalists who want to uncover the truth face public threats and even arrests, like those in Turkey. In the face of all those challenges, who can uncover the truth? Who checks the facts?

  • When: 20:00 – 22:00
  • Where: Bar Jeder Vernunft – Schaperstr. 24, 10719
  • Admission: free
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► Monday: One Year Home

Initially intended as a short-term project, the intensity of the encounters and photographs shot for ‘One Day as a Refugee’ resulted in a long-term collaboration between the photographer Lorenz Kienzle and the Syrian filmmaker Omar Akahare. Using photographs and film representations, the two arists document and explore the daily lives of refugees in Guben and Lietzen.

  • When: 11:00-18:00
  • Where: Käthe Kollwitz Museum  – Fasanenstraße 24, 10719
  • Admission: 4
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► Monday: A Blink of an Eye – Cornelia Schleime

Born in the GDR, artist Cornelia Schleime was part of the movement against East Germany’s policy of censorship. Exploring a range of art forms from painting to poetry, to performance, and film,, while devising her own alternative and experimental approach, Schleime’s work was ultimately banned in 1981. Almost all her work disappeared after her relocation to West Berlin in 1984. Since then, she recreated some of the lost artworks. Her primary focus has been on portraits with a hint of fantasy.

  • When: 10:00 – 18:00
  • Where: Berlinische Galerie – Alte Jakobstraße 124–128, 10969
  • Admission: 5€
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Having been born and raised in Cairo by upper middle class Egyptian Muslim parents, gender issues and women’s rights weren’t topics typically dealt with in my family despite how “open-minded” my parents claim to be. A patriarchal culture filters through life’s many branches in Egypt, silencing the voices demanding the downfall of the patriarchy and the end of misogyny that has long infested the Egyptian culture. To try and understand such matters, one must avoid looking only at the similarities in the Arab countries’ attitudes towards gender and sexuality as they ultimately have defining differences in their historical contexts and the operation of their societies today. My intimate experience with Cairo compels me to make it the focus of my article.

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