Berlinale Review: Lee Don Ku’s Kashiggot

At this year’s Berlinale, South Korean director Lee Don-Ku debuted Kashiggot, a film which explores the commission, atonement and punishment of sin. In the Asian market, prolific filmmakers traditionally prefer to remain within the often painfully saccharine genre of the “Asian blockbuster.” This presents a stark contrast to Asian art-house cinema, which aims at commenting

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Berlin’s Other Film Festival

For the cinephile living in Berlin, February means attending as many Berlinale screenings as possible. The still-intact Friedrichstrasse Christmas decorations add a sense of cheer to the festival, and with the arrival of movie stars – be it yesteryear’s goddess Catherine Deneuve or sex-appeal induced James Franco – comes the hope of a glimpse of

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Martin Scorsese Exhibition at The Museum of Film and Television (Museum für Film und Fernsehen)

Every year Professor Matthias Hurst takes the students of ECLA of Bard for a walk around Marlene Dietrich Platz (where Berlin’s international annual film festival takes place), stopping at the Museum of Film and Television, located in the Sony Centre at Potsdamer Platz. Beyond being of particular interest for students – like myself – taking

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Top-6 films from Berlinale’s “The Weimar Touch” retrospective to watch over the weekend

This weekend, the 63th Berlinale comes to a close. On Saturday, a winner will be chosen and awarded the Golden Bear to reflect superior achievement in film making. However, before all that pomp and circumstance, ECLA of Bard’s film instructor, Prof. Dr. Matthias Hurst, has recommended to the Die Bärliner community the following films in “The

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Double O

As the week was wearing off, on the Friday night of November 16, Matthias Hurst, professor of film studies at ECLA of Bard, did a thorough presentation of title sequences of James Bond movies. He covered the years 1962-2008, starting with Dr. No and ending with Quantum of Solace, thus celebrating the 50th anniversary of

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