“Impasse 1: ‘…whether the elements have being potentially, or in some other way…’”
What?
Prepare to engage in the story of a small, motley crew of BCB students – with little to their names but enthusiasm and sometimes-precarious ideas – organising the next Liberal Education Student Conference, through a series of impasses.
CategoryDays in Berlin
Writing as Solidarity
Especially when fighting from the margins, it is imperative to be seen. And especially when having a platform — no matter its size — it is imperative for writers to bring those issues out from the margins and offer public support. That is what writing means to me.
Pankumenta – Giving Opportunities to Young Artists
We meet early in the morning. I roll in on my bike with breakfast for Danny. He looks sleepy but greets me with a warm smile, and I know we are both exhausted but excited. We unroll some canvases, tape them onto the Ikea painting frames belonging to the café, and hang them up.
You Closed My Chest and Opened Yours
I don’t know if you remember that first night you closed my chest and opened yours, but it was wet and dark.
“The Road Goes Ever On”: An Interview with BCB Alum David Kretz
David Kretz is a BCB alum from the class of 2016 currently completing his Ph.D. in Germanic Studies and Social Thought at the University of Chicago. Early this May, he gave his time to write up insightful and constructive responses to my questions on his academic journey leading up to and since BCB, his current research, projects and opinions relating to a liberal (arts) education, words of advice for current and graduating students, and more.
Lolmythesis: BCB Edition
This compilation is inspired by the blog Lolmythesis, in which contributors are asked to “sum up years of work in a single sentence.” I asked BCB seniors to make similar one-sentence spins on their theses after a year of hard work. Fear not, the real theses are far more academically rigorous than portrayed below.
Fiction in Berlin
I was always most secure writing from my own point of view, referencing small areas of the world that I knew inside and out. But in my fiction workshop, we focused on the point of telling: the point of telling is not about who narrates a story but from where they are speaking.