I couldn’t name a sparrow from a line-up of birds nor tell you what the ants dancing in my summer yard do after dark or before it or during I couldn’t confess which flowers bloom forth from my soul today—I’d have to look them up. Most of the Romantics are lost on me;
The Death of Erekle
Adaptation of Epic of Gilgamesh, Tablet VII. The Death of Enkidu “For his Friend Enkidu Gilgamesh Did bitterly weep as he wandered the wild: ‘I shall die, and shall I not then be as Enkidu? Sorrow has entered my heart!” *** ერეკლეს სიკვდილი გიგლა ეწევა ბოლო ღერს, სანთელი ანათებს პალატას. მისი გული ღრიალს
“House Arrest” and “This is a Poem”- Two Poems by Sam Zamrik
House Arrest I was once a prisoner. Prisoners are often kept behind bars and gates, under lock and key, but not me. I was a prisoner behind a screen. A window screen, a wire mesh stained with blood and the putrid flesh of a hundred flies. My keeper kept me under, complacent. My keeper kept
Metal Birds
Far behind the house’s rear, among moss and dead leaves was a spring. Connected to the spring by a small staircase of large rocks lie a stream that flowed as a river when it rained and ran dry through summer and winter. Insects–gnats, mosquitos, flies–danced above puddled water in the day, the light giving shape
Exploring Queer Experience: Who Am I? Queer Labels and Their Absence
Like many queer children, I felt out of place growing up. Although I was not uncomfortable with femininity, I experimented with masculinity by cutting my hair short and wearing more “masculine” clothes. My family and acquaintances often displayed their discomfort with my gender expression. Even if their comments were not always negative, I remember being
A Language of Common Belonging
Berlin is foreign. Berlin is new. Berlin speaks to me in voices that I do not yet understand. It is loud, and alienating, and frustratingly unfamiliar. German signs and words are thrown at me left and right, clouding my surroundings and ensuring that I am merely an observer incapable of deciphering the simplest of phrases.
A Conversation with Marie Schleef
Marie Schleef is a Bard Annandale ’14 Alumna who spent a semester abroad at BCB. She now lives in Berlin and directs feminist theatre productions; her seven and a half hour show Name Her premiered last year in September, and this Spring her new show, The Tin Drum, is set to premiere in Cologne, providing
“Eruption Imminent”: Volcanic Activity on the Reykjanes Peninsula
My grandfather called me in the afternoon when it first began, Varstu nokkuð hrædd? Were you afraid? Ha? Ó, nei nei… Huh? Oh, no… This spring semester, I have been taking my online courses alone in my house in Iceland, a peaceful study spot near the ocean. I live in a tiny town called Njárðvík,