At the dinner for the Oscar nominees, Steven Spielberg first glances at László Nemes, then after a moment of contemplation slowly sits up and walks to the young director’s table. “I never thought we would have to wait this long for a film like this” After this first encounter something changes in recent Hungarian cinema
Thinking Outside the Framework: Reflections on a Liberal Arts Education
It is likely that the words “Liberal Arts Education Panel” have been swimming through your subconscious as of late. These words were printed onto pretty paper flyers placed around campus within your easy view; they made the difficult but certain journey through cyberspace – presumably from the P98a admin building, in the form of magical
Perspectivalism Without Relativism
This post originally appeared on Public Seminar. Republished with their kind permission. Earlier this month, Susan Henking, President of Shimer College (my alma mater), wrote for Public Seminar what she called “my educated hope for Shimer and for liberal education,” a hope “rooted in a criticism of the ways we have been commodified, [forced to] meet
The Danish Girl
You may say that The Danish Girl is an “Oscar movie”, a film whose making was not primarily motivated by the authentic artistic expression but money-grabbing. You wouldn’t be entirely wrong but you’d be largely inaccurate. This film is not a spoiled child of the Hollywood industry. It is not a grown-up either. It flourishes
Into the City and Out of our Minds
Along with a flurry of new smiles and voices to acquaint oneself with, a sprinkle of tentatively sunny days, and the usual buzz of post-vacation excitement, the start of the Spring Semester at BCB brings with it a unique opportunity for new and returning students to explore the ultimately unknowable city that unfolds beyond our
Berlin Weekend: ‘Rituals’ Installation Opening
In the foyer at HAU2, a group of BCB students – myself included – awkwardly took their mud-caked shoes off, aligned them up against the wall, as was instructed by a small cardboard sign and entered the installation space sock-footed. Rituals is the outcome of French artist Vincent Moon’s five-year long travels around the world,
Bodies That Matter
One of the first things that the two women, a burlesque dancer and a party organizer, mentioned to me was how hard it is to be a woman in their businesses here in Brazil. I was interviewing them for an anthropological project on sadomasochism. In the room below us, a man was lying face up