As they sipped the tea they decided to trust their guts, and let each other know when they were not comfortable. The liquid poured into their stomachs, sedating the unnecessary anger, and relieving a bit of the weight off the world. Maybe that would help. If only a little. Until then, together they would live, create, twirl, and scream. And realize that the world is finite, and tea gets cold. So it is better to sip slowly and gently. They turned to each other, flecks of light in each other’s eyes, and smiled.
A man stands in a train station. He wears a wide-brimmed hat and a long black coat; his hair—what little peeks out from beneath his hat; one suspects he is thinning—is dark, streaked with gray, and unkempt. It runs down the back of his neck, and even out over the collar of his shirt. His face is lined with age, but there is little hair on his cheeks: his grooming is impeccable. He stands within the sight of a great standing clock, but he does not look at it.
Looking deep inside the mirror, he thinks: I am wholly contained inside my skin. His image coats the surface of his eye. He presses his elbow into his side. He squeezes his fist and wrings out his bicep. His body, steaming, stands before him in the grey, sending signals: his image back and forth between him, grey, satiated. He stretches his lips, presses his cheeks into his eyelids and sends up a special kind of prayer. You beast. He strains to call forth his deathless name: Monster. Monster.
She sat on the toilet seat to wait for the dye to set, and while she did she ran a bath to soak her feet in. She poured in mint bath salts. She thumbed through a magazine. There was a spread about women before and after plastic surgery. She no longer thought plastic surgery was vain; she thought it had to do with the autonomy of a woman’s body. She associated it vaguely with the word empowerment.
The fields have been drained, and it is only a matter of time now until the fields can dry no more and are ready for harvest.