You may say that The Danish Girl is an “Oscar movie”, a film whose making was not primarily motivated by the authentic artistic expression but money-grabbing. You wouldn’t be entirely wrong but you’d be largely inaccurate. This film is not a spoiled child of the Hollywood industry. It is not a grown-up either. It flourishes
TagFilm Review
Berlinale Review: Lee Don Ku’s Kashiggot
At this year’s Berlinale, South Korean director Lee Don-Ku debuted Kashiggot, a film which explores the commission, atonement and punishment of sin. In the Asian market, prolific filmmakers traditionally prefer to remain within the often painfully saccharine genre of the “Asian blockbuster.” This presents a stark contrast to Asian art-house cinema, which aims at commenting