Was the Moon A witness Or an accomplice? I can’t tell But, Both times It was there Sleepless Swollen eye An overripe orange That I mistook For the sun Why did you twist me up? I ask the staring eye Who, Clutching every reply Doubts to confide Even a hiccup Hollow Pulp-less fruit With
Far behind the house’s rear, among moss and dead leaves was a spring. Connected to the spring by a small staircase of large rocks lie a stream that flowed as a river when it rained and ran dry through summer and winter. Insects–gnats, mosquitos, flies–danced above puddled water in the day, the light giving shape
My grandfather called me in the afternoon when it first began, Varstu nokkuð hrædd? Were you afraid? Ha? Ó, nei nei… Huh? Oh, no… A magma chamber on the move has been detected between the mountains Keilir and Fagradalsfjall, causing tremors all throughout the region. Though mostly the seismic activity is hovering over the shoulder
I stand before a summer day. Softer, warmer, brighter than the day I’m in. Monet’s vertical canvas, the object of my looking, dissolves, and I am left in space itself. Nature can be this for the mind, a tabula rasa. Hm… I’m not frightened by the vastness, the entrance is not a jolt or a
Knead… the earth with rain, and let it fain the glaring lips of the sun. Knead the earth. Pour your mortar among molded bricks and molten sand. Knead the earth, and erect your dwellings high. For like the shrub pierces the womb and sprouts from the face of Mother, you, too, shall wreak ruin. Reign
On the train I move at birdish speeds. I see buildings blur into living embers, points stretched into foreign conversation and foreign frames and the infinity of presence upon my sight. And the train too is looking, spawns a second set of eyes, mirrors me in its glass. My doppelgänger in the window glides in
Except for the light breeze everything is different from all she had ever known. The temperature, the humidity, that she cannot see the horizon, the colors and the way the light dances over the ground. She has never smelled anything like this before, but it is not unpleasant. It comes closest to a combination of heavy wet mud and the youngest grasses. Behind her she could still have seen the familiar blue sky, green water and yellow sand through the trees, in case she had looked back.
A window is a frame for seeing beyond the container of one’s physical and immediate space. It is a peephole that propels the gaze outward. Through it, without really moving, you can confront the same two trees, always there and ever-changing, appreciate the paces of birds and bicycles, recognize time in warmth and photons. The window is uniquely suited for daydreaming as it literally displays another place you could be, without requiring the action that would allow for a physical transference, as a door does…