A little gray cat skitters around the woods surrounding the School of Sculpture Berlin. It has a short tail that twitches as it surveys the thicket behind the kitchen tent. I fill a glass with water and lay it at my feet for the cat, it drinks and I listen to the sound of machinery.
Tagsculpture
Sculpting Memory
Our memories are sculpted through the constant wrestling of forgetfulness and remembrance. Time is given a name and calendarized; we make sense of our past, present, and future as triplet brothers identified under the deceivingly named “I”. This universe of being sometimes talks about the weather twice a day, filling in gaps created by silence.
Schöneberger Südgelände: In Search of the Sun
Google weather confirms: It’s been there for the past three days. Im-pos-sib-le. But look, it’s there, caught in the roof tiles of the Treskowstrasse 25 front building: There. Now do you believe me? It’s been there all along: The February sun. Have you noticed? As our studies resume, the world around us takes on a
[Kulturbahn #22] November 7th – November 13th
►Monday: Robert Doisneau – Photographs “Le Baiser de l’Hôtel de Ville” captured in front of a Parisian café in 1950, is the iconic photograph that shot Robert Doisneau up to fame. It also contributed to the idea of Paris as la ville de l’amour, or the city of love. The 100 photographs selected for this exhibition
Arts and Society in Berlin
The architects of the peculiar building at the end of a long, cobbled driveway on Eichenstrasse 43 would find it difficult to believe what has become of their creation. Originally intended as a tire manufacturing plant, the seemingly innocuous double-storey building has been subjected to a tumultuous history. Rumours of its past use for secret
Contemporary Materials: An Exercise in Artistic Freedom
Upon walking into John Von Bergen’s sculpture class for the first time, an immediate, and almost palpable vibration can be felt. Students are busy working, organizing, building, molding, even their research carries an air of urgent excitement. I was looking forward to my visit to the sculpture class. One visit turned to three, as I
Sculpture in Expanded Fields – A “Less is More” Approach to Studio Arts
In the spring of my first year at Bard, I took my first studio art course since the beginning of high school. I was never skilled at drawing, nor did I ever devote the time to develop skills in painting, so I figured that taking a sculpture course wouldn’t be the most difficult medium to