1 The day I lost my iPhone, credit cards, a photo, a student ID, a residence permit and the purse that contained them all, I was with a friend who was visiting Berlin for fall break from Vienna. We used to sit on the bench every night, drinking enough “përlinër bilsnër” to fill up Spok’s
I crept into the dark, vacant stairwell, the source of many family ghost stories and nightmares. The wind vibrated through the walls. The ocean was so close I could hear its hum even here. Time felt slower in the dark, I couldn’t see the change of things, flies in the dust or the dandelion behind
The sterile metal of the needle pushed against my skin. It probed the quivering tissue, like a ripe grape. Then with skin pillowing around the tip, it sank beneath the surface. I suppressed a wince. It wasn’t so much the needle as what I knew was waiting for me in the next hour: crushing immobility
On the train I move at birdish speeds. I see buildings blur into living embers, points stretched into foreign conversation and foreign frames and the infinity of presence upon my sight. And the train too is looking, spawns a second set of eyes, mirrors me in its glass. My doppelgänger in the window glides in
Our memories are sculpted through the constant wrestling of forgetfulness and remembrance. Time is given a name and calendarized; we make sense of our past, present, and future as triplet brothers identified under the deceivingly named “I”. This universe of being sometimes talks about the weather twice a day, filling in gaps created by silence.
“The Wait” is a short fiction piece by guest contributor Elena Gagovska, a BA2 student in the HAST program at BCB Christina felt bored waiting in line at the insurance office and tapped her little finger against her chin obsessively. She was there to renew the health insurance for her two-year-old. It wasn’t a complicated
Dancer and choreographer Eva Burghardt gave an intensive dance workshop on campus the weekend of 25th-26th of April. Body Space Landscape was a «movement-based» workshop which mainly aimed at exploring all three categories through questioning the conservative understanding of dance as an artistic medium for certain types of corporeal expression. After two days of thinking