Berlinale Review: Lee Don Ku’s Kashiggot

At this year’s Berlinale, South Korean director Lee Don-Ku debuted Kashiggot, a film which explores the commission, atonement and punishment of sin. In the Asian market, prolific filmmakers traditionally prefer to remain within the often painfully saccharine genre of the “Asian blockbuster.” This presents a stark contrast to Asian art-house cinema, which aims at commenting

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Matsukaze: An Evocative Merger of Theatrical Traditions

In blending together the traditions of Japanese Noh Theatre with the venerable institution of Western opera, the Staatsoper’s showing of Matsukaze provides for a hauntingly pleasurable experience. Translated from Sino-Japanese as ‘skill’, Noh theatre represents a conflation of the Japanese musical theatre tradition (dating back to the 14th century) and its 16th European counterpart. Taken

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Berlin’s Other Film Festival

For the cinephile living in Berlin, February means attending as many Berlinale screenings as possible. The still-intact Friedrichstrasse Christmas decorations add a sense of cheer to the festival, and with the arrival of movie stars – be it yesteryear’s goddess Catherine Deneuve or sex-appeal induced James Franco – comes the hope of a glimpse of

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