The concrete, steel and glass goliath that is Berlin has many wounds. Berlin bleeds Green. In some places this verdure oozes from the parks: places explicitly set aside for the leisure of Berlin’s inhabitants; places to go to feel a connection with the Earth; or to barbecue in the warm summer sunlight. These wounds are
Plunge into the bowels of Berlin the spiderweb system of iron rails and screeching brakes that connects the far corners of this city. Like some piecemeal Frankensteinian monster brought to life Berlin has been cobbled and stitched together animated to act like a grotesque whole. Each district is like a living, pulsating organ of the
I am my umbilical cord My mother’s sleepless nights My father’s long drives I am the scent in my mother’s wardrobe The high heels I never fit I am the ingrained institutionalized religion Founded on fear. I am the shame and the guilt The vagina I am the black eyeliner I draw around my eyes
When I began teaching sculpture at BCB in the spring semester of 2015, The Factory was an incredibly raw, open space, with a vibe perhaps closer to a squat’s than to that of a private college arts facility. There was random graffiti covering the walls, the bathrooms had no mirrors or even paper towel dispensers,
A message from Marga Hattingh, the blog editor: From Pankow to puppets to puppies, poems to podcasts to horoscopes to reflective articles, Die Bärliner has travelled far and wide this last academic year. We’re sad to see you go for the summer… which is why we’ll be sticking around. In your inbox. Probably every week.
Our memories are sculpted through the constant wrestling of forgetfulness and remembrance. Time is given a name and calendarized; we make sense of our past, present, and future as triplet brothers identified under the deceivingly named “I”. This universe of being sometimes talks about the weather twice a day, filling in gaps created by silence.
Spring on the BCB campus (drawing by Liza Ostrovska)