BCB Goes Berlinale

I only went to see two films at the Berlinale International film festival, and I only stayed awake for one and a half of them. Despite the negative review my nap seems to suggest, the effort with which I attempted to keep my eyes open tells a different story. Both films, Centaur and Railway Sleepers,

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[Kulturbahn #30] February 13th – February 19th

► Monday: Transmediale – Alien Matter The theme of this special exhibition is neo-cybernetic connections between humans, creatures and technology. The featured artists tackle questions arising in today’s neo-cybernetic environment: Is the world gradually becoming “alien matter” due to a proliferation of artificially intelligent technologies, creating a tension between human and non-human forces? When: 10:00-19:00

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The Danish Girl

You may say that The Danish Girl is an “Oscar movie”, a film whose making was not primarily motivated by the authentic artistic expression but money-grabbing. You wouldn’t be entirely wrong but you’d be largely inaccurate. This film is not a spoiled child of the Hollywood industry. It is not a grown-up either. It flourishes

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Berlinale: Institution or Art

It’s February in Berlin and that means it’s time to go to the movies. With the number of film festivals happening this month, your options for venues are virtually limitless. Whether the attractively dinky Boddinale, the online VELOBerlin, or the respectable Berlin Independent Film Festival, any film buff or curious viewer can get their fill

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Berlinale Review: Lee Don Ku’s Kashiggot

At this year’s Berlinale, South Korean director Lee Don-Ku debuted Kashiggot, a film which explores the commission, atonement and punishment of sin. In the Asian market, prolific filmmakers traditionally prefer to remain within the often painfully saccharine genre of the “Asian blockbuster.” This presents a stark contrast to Asian art-house cinema, which aims at commenting

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Top-6 films from Berlinale’s “The Weimar Touch” retrospective to watch over the weekend

This weekend, the 63th Berlinale comes to a close. On Saturday, a winner will be chosen and awarded the Golden Bear to reflect superior achievement in film making. However, before all that pomp and circumstance, ECLA of Bard’s film instructor, Prof. Dr. Matthias Hurst, has recommended to the Die Bärliner community the following films in “The

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