In Berlin, we are often used to finding ourselves at the openings of art shows—be it in a gallery, “white box” or other independent spaces. Whichever one it is, we always struggle to establish a personal experience with each artwork within the art space. If nothing springs out of it, we tend to engage our
A Letter from Annandale: A Letter of Goodbye
“Every ending marks a new beginning” Dear ECLA, It has been two months since the close of the fall semester. My fellow first year classmates and I departed on a brisk day in December from the Tegel International Airport bound for the States. Despite my preparation, I could not evade the initial shock of returning
Berlinale 2013 or How I moved to Potsdamer Platz for a week
More than a year ago, I mentioned in my ECLA of Bard application letter that volunteering at the Berlinale Film Festival is one of the essential reasons for my moving to Berlin. Needless to say, that all too serious and far–reaching plan almost inevitably failed because of unforeseen reasons––even though I was supported by ECLA
Top-6 films from Berlinale’s “The Weimar Touch” retrospective to watch over the weekend
This weekend, the 63th Berlinale comes to a close. On Saturday, a winner will be chosen and awarded the Golden Bear to reflect superior achievement in film making. However, before all that pomp and circumstance, ECLA of Bard’s film instructor, Prof. Dr. Matthias Hurst, has recommended to the Die Bärliner community the following films in “The
Postcard from Pakistan
Lahore, Pakistan 18.01.2013 Dear ECLA, Pakistan is a country of sweet contradictions and extremes, from the Himalayas to the Indus River. Such is my experience of living in this country. I come from the city of Lahore, which shares borders with India. Lahore is Pakistan’s cultural capital and is the second largest city in terms
An Evening with Anton Chekhov
On the evening of December 5th, ECLA of Bard had the pleasure and privilege to welcome Peter Constantine. A world renowned translator, Constantine has spent the last twenty years of his career translating works by Anton Chekhov, among which some that had previously not been known to the English-speaking public.
Commedia dell’Arte Workshop with Jon Stancato
Every actor has to constantly try on imaginary masks in order to get used to one role or another. My personal experience of wearing a real mask hovers around playing a fox at a school masquerade and being a phlegmatic zombie at some random Halloween party. But how about wearing a big and stifling mask
The Käthe Kollwitz Museum
On December 7, the students in the Berlin: Experiment in Modernity course visited the Käthe Kollwitz Museum as part of their then on-going class discussion about social democracy, through the lens of Europe’s workers’ movement in the 19th and 20th century. Situated in Berlin’s elegant Charlottenburg-Wilmersdorf neighborhood, the museum is actually a modified 19th century