The wet thunk of plummeting metal impacting animal matter. The watermelon-ish explosion emanating from the point of impact. The unspeakable splatter. The ghastly silence before the screams. The seemingly endless instant before reflex, the guilty party, the murderer, intervened too late, forcing his eyes from the spectacle, his body back from the edge.
They hit the dirt and their rinds split, cracked like clay pots, and from the cracks came a thick dark red. Blood flowed out and pooled around the fruit, it kept pooling, it filled the grove like a flood, I grew afraid of it –
We are the walls who have stood for one hundred years and we will stand for one hundred more at the discretion of God, the weather, and those who reside inside of us. We have stood regardless of the scurryings of rodents on our backs and the people who painted our faces anew.
I was always most secure writing from my own point of view, referencing small areas of the world that I knew inside and out. But in my fiction workshop, we focused on the point of telling: the point of telling is not about who narrates a story but from where they are speaking.
“The Wait” is a short fiction piece by guest contributor Elena Gagovska, a BA2 student in the HAST program at BCB Christina felt bored waiting in line at the insurance office and tapped her little finger against her chin obsessively. She was there to renew the health insurance for her two-year-old. It wasn’t a complicated
► Monday: Medieval Christmas Market Imagine a gate opening in the art, culture and clubs hub of Friedrichshain to transport you to the medieval ages. In this historical Christmas market, you won’t find the usual kitsch; you’ll find everything from live medieval performances in music, acrobatics, and a fire-show, to unique handicrafts, and a tavern
Lily didn’t breathe much anymore. I tried bringing a few hearts to class once, maybe to make her feel better, but it didn’t work very well; it was just messy. I painted her many times in her frozen mind but I couldn’t get the tongue to move quite right or the shadows in the cleft