It was perhaps the universality of themes and experiences in Parasite that resonated with audiences of many languages and cultures, leading the film to win the Palme d’Or at the Cannes Film Festival and Best Picture at the Academy Awards. That Parasite would win the Palme d’Or was an expectation of many. The Oscar, however, was unprecedented and therefore unexpected, at least in the beginning.
“So writing, I think, is an interestingly perverse occupation. It is quite sick in the sense of normal human enjoyment of life, because the writer is always removed, the way an actor never is,” states author Edna O’Brien in an interview with The Paris Review. “An actor is with the audience, a writer is not
After the release of Bong Joon-ho’s Parasite, there was a buzz around one rather unexpected scene. There is one scene in the film where a dish called Jjapaguri is prepared. The scene itself is humorous while carrying an underlying satirical tone, but the Korean audience swarmed around this scene to offer a different kind of interpretation. Although this interpretation may have been unexpected for the film’s international audience, it came very naturally for its Korean audience: mukbang.
“I’m going to the Thai Market.”
I didn’t react with a start. I merely cast a brief glance at the eager visitor in the doorway of my room and nodded silently, hopefully a nod that conveyed, “Have fun.” I was sure that I had heard incorrectly; the idea of home in a city so far away from the likes of my past seemed impossible. I returned my eyes to my computer screen, continuing my fervent search for activities in which I could partake on my first weekend in Berlin. I had an especially vigilant eye for anything that indicated hints of home.
“Do you want to come along? I could really go for Thai food right now.”
The fields have been drained, and it is only a matter of time now until the fields can dry no more and are ready for harvest.