Four Seasons by Romeo Castellucci

“Please, don’t forget to take earplugs”—the girl with a tray of small blue things made me feel nervous even before Four Seasons by Romeo Castellucci started. However, the aural risk didn’t scare off Berliners and tourists alike – the show was entirely sold out. Castellucci is originally from Italy but has created most of his performances in Avignon,

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A Long, Dramatic Night in Berlin

Saturday the 28th of April was Berlin’s fourth annual Lange Nacht der Opern und Theater: the ‘long night of opera and theatre’. With 57 venues putting on over 150 performances within a single five-hour window, the event seemed to scream “Look at me, I’m cultural” so loudly that no self-respecting Berliner-hipster (or Liberal Arts student) could

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Die Zauberflöte

It was quite a sight to behold so many eager children and teens at the opera before the show even started; the theatre was already buzzing with excitement. Deutsche Oper’s most recent staging of Mozart’s The Magic Flute delivered a vibrant performance with a healthy dose of hilarity, romance, extravagance and of course, magic. The Magic Flute tells

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Howling and Howlers of Theatre

David Levine’s class visited two extremely different and unique plays in Berlin. The first one was Nach Moskou and the other one was Othello. Both the visits were arranged as a part of the class “Acting and Authenticity.” The actors/students were to study the acting skills and discuss what exactly they understood by acting. Questions

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In our mind’s eye: Hamlet in Schaubuehne

Shakespeare’s plays are considered a marvel because they simply refuse to surrender to a single understanding: they rebel against conventional reading and allow for layers of interpretations to unfold behind the 400-year-old lines. Hamlet, being one of Shakespeare’s most popular plays, is a perfect example of this. Over the course of more than four centuries

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