Bring back the Hippies

Before the storm of tests and papers that is finals week at BCB, in the lull of spring break, a friend and I made our way to Prague. The trip was an adventure. We didn’t plan much, didn’t have much money to spend, and I forgot my passport at home, adding an air of excitement

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[Kulturbahn #41] May 8th – May 14th

► Monday: Between Spaces – Art, Urbanism & Public Space Space only ever exists with a context, charged with socio-political and socio-economic interests, shaped by power structures and defined by boundaries. The 15 artists featured in this exhibition explore issues in urban life from 1970s New York to 1980s East Berlin through the mediums of

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[Kulturbahn #40] May 1st – May 6th

► Monday: MyFest 2017 Join Berliners as they honour worker’s day by joining the Street festival and 1st of May parades. This year’s MyFest is against violence. It challenges previous violent clashes between the police and demonstrators by reclaiming the spaces around the Kiez in Kreuzberg and celebrates with peaceful festivity, culinary delights, performances, and

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An Ode to Biking

When I was little, I didn’t like biking. I had a long string of second hand bikes, none of which ever seemed to work quite right — a complaint that had some merit but also one I used as an excuse to explain my otherwise irrational dislike of the activity. When I left home for

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[Kulturbahn #39] April 24th – April 30th

► Monday: Friedrich Kiesler – Architect, Artist Visionary The architect, stage designer, artist and theoretician Frederick Kiesler (1890-1965) explored and challenged the boundaries between individual art genres and his theories of endless space and Correalism- which deals with the human perceptions and visions in relation to the cultural anthropology of architecture. This exhibition offers a multi-perspectival

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[Kulturbahn #38] April 17th – April 23rd

► Monday: Black German Cinema: “Sankofa – Return and get it” Jump right back into Berlin’s cultural scene by attending the film series In-between Performative Films, which focuses on artists trying to break away from patriarchal and national production contexts. This month’s movie premier follows artists and curators from Ghana. It raises various questions: Does the

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