Forms of Love, the first year spring semester core course, asks students to explore that exceptional and ordinary thing: love. How is love different between cultures, across the ages, for a friend, a mother, a lover, or God? This year’s Love Core looks primarily at the ideas of love, foundational to European societies, which derived
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From the Archives: Chronicles of the Factory
Die Bärliner takes a look back at the history of the factory, BCB’s beloved art space. From its opening in 2013, it has been a home to studio and performing arts courses, served as a stage for student theater productions, hosted festive events, and been a haven for practicing arts students looking for a quiet
From the Archives: Reflections in Times of Conflict
War and conflict are unfortunately omnipresent, displacing millions of individuals and communities worldwide. Die Bärliner invites readers to revisit some past pieces from students reflecting on the hardships encountered by refugees, international responses to forced migration and racial dynamics. The authors raise questions about pacifism and violence through personal narratives and opinions, and also provide
From the Archives- Days in Berlin
Die Bärliner takes a look back on pieces throughout the years reflecting on the various engaging activities and sights in Pankow and wider Berlin. With summer quickly approaching and fewer COVID-19 restrictions in place, more options are becoming available for those planning to stick around Berlin for the summer months. In this archive selection, you’ll
From the Archives: Reflections on Writing
Die Bärliner revisits some of our favorite pieces on the topic of writing; students explore different writing processes, approaches, and why they write. From political and advocacy journalism to faculty interviews, reflections from BCB student writing tutors to creative writing in times of Covid-19 uncertainty, we invite you to look back on what our authors
From the Archives: Identity
“So writing, I think, is an interestingly perverse occupation. It is quite sick in the sense of normal human enjoyment of life, because the writer is always removed, the way an actor never is,” states author Edna O’Brien in an interview with The Paris Review. “An actor is with the audience, a writer is not
From the Archives – Portraits
What do alumni Aya Ibrahim and Tuvshinzaya Gantulga have in common with students Wafa Mustafa (BA3), Mais Hriesh (who has since graduated from Bard NY) and the once-neighboring “Family Without Borders” who now resides in Budapest? Aside from the fact that they all appear in this email, at some point in the past three years
From the Archives – Berlin, here we go again
This week, as the leaves turn color, the days grow shorter, and there’s simply no more denying the end of summer, Die Bärliner has prepared a special treat to warm the cockles of your heart. We’ve looked into the treasure trove of our archives and dug up some of our favourite pieces on Pankow and